American Painter, 1849-1921 American painter and naturalist. He spent his youth in rural New England, where his earliest paintings were wildlife subjects, reflecting his interest in hunting and fishing. While in his teens Thayer achieved some success doing portraits of family pets, which he continued after a move to New York. He attended classes at the Brooklyn Art School and National Academy of Design, but in 1875 he settled in Paris, studying under Henri Lehmann and Jean-L?on G?r?me at the Ecole des Beaux-Arts. While abroad he produced landscapes in the Barbizon style and genre scenes, but on his return to New York in 1879   Related Paintings of Abbott Handerson Thayer :. | Angel, | Stevenson Memorial | William Michael Spartali Stillman | My Children | Girl in Fur Hood |
Related Artists:
Ludwig Hans Fischer
Austrian , 1848 - 1915 )
Neufchatel, Nicolas de
Flemish, practiced mainly in Germany, 1527-90
Fra Bartolomeo
Italian High Renaissance Painter, 1472-1517, also known as Baccio della Porta, was an Italian Renaissance painter of religious subjects. He was born in Savignano di Prato, Tuscany. He received the nickname of Baccio della Porta for his house was near the Porta ("Gate") San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano, he apprenticed in the workshop of Cosimo Rosselli. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli. In the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence. The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500. The following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Bianco's family chapel in the Badia Fiorentina, finished in 1507.